New Year, Old Stuff

So, I'm still not inspired by the newer stuff I've heard coming out. But, that's why I've got a library of stuff. I can go back over things again and again, and if they're good, a few more times after that.
So, How about music? Lately I've been listening to two bands I haven't mentioned, or maybe just haven't mentioned a lot. First, there's the God Machine. They're long since gone. The bass player died more than 15 years ago. However, the music they made was a bit out of time anyway. I'm pretty sure they were going for a kind of Sabbath-y take on Alternative, but what they ended up with was music that referenced Jane's Addiction, and Black Sabbath, and some "industrial" sampling, but really prefigured post-rock, or at least post-metal. If you like Grunge, Stoner Rock, and/or post-metal, you probably already have come across the name, so why not check them out. I have the first Record "Scenes from the Second Storey", and a CD single with the song "Home" b/w a cover of "Fever". It's good stuff, and not dated, honestly, even if it's as old as my my son.
Much more recently, as part of my love for dEUS, I got into another band from Belgium called Ghinzu. Ghinzu play much more mainstream music, and I can't get nearly as excited about them as I can about dEUS, but if you could imagine dEUS, with a strong second influence of Muse, you wouldn't be far wrong. At the same time, this past september, the video they released for "Cold Love" is just phenomenal; I can't imagine a band with a more fearsome reputation coming up with something stronger. The release it comes from "Mirror Mirror" is decent, with some great moments, but really just watch that video.
As far as books go, I've been reading some other stuff, but I would like to draw your attention back to Lessig's Free Culture. It's heavily influential to the way I see media going, and worth your time to read.
Finally, for movies, I'm getting back into Alex Cox. I prefer Repo Man, but Walker is still worth watching...

Post Christmas Blues

I feel both good and bad for my son. I feel good for him in that he got a lot of presents for both his birthday and Christmas and he has the support of some good friends, and an extended family, but I feel bad for him because not only does he have the stress of trying to afford the lifestyle he has imagined for himself ( it requires a difficult amount of money to stay in a dorm at a second or third tier Elite private liberal arts College) he puts a lot of reliance upon things. By that, I mean, he's pretty leveraged to get what he needs, but to get what he wants, he's more prone to relying on social and artistic pursuits that are commercial, and hence cost money. So, if you're already over-leveraged, it sucks to have your Xbox crash on you, when one of your best outlets is playing Halo on Xbox Live with your friends. If you've spent too much to own a car, it sucks if you lose your bus pass. You get the idea?
So, it's in that kind of spirit that I've got a little post Christmas blues. I'm crustier than you might imagine. I'm not everybody's "bro", that much is obvious, but, in some ways, I'd be good on the proverbial desert island. If I yearn for something at work, it'd be to be left alone more often. It's not that I hate people, it's that sometimes, I'm best left alone. So, I'm not posting this stuff because I think it'll make me "cool" to someone; Pop Culture is my outlet. This is where I find a good part of my fulfillment in life. So, when there's not a lot of new Pop culture to digest, and incorporate into my little mental desert island, it's a pretty big let down.
I don't mean that people let me down- honestly, I truly love everyone in my life. I mean that the other part of my social fulfillment just ain't all that great, right now. Give me a few weeks, and maybe the new year will bring new treasures....

End of Year?

I've honestly been trying to think up a best of 2010 list, since everybody likes lists, and it seems like the thing to do.
Then, my wife burst into the room twice to blurt out complaints about social media, and about the lack of "legitimate news" online.
So, I was already wavering, and I don't just want to put up noise. Truthfully, I like and listen to the stuff I post. I don't put up anything I don't like at all.
So, to pick out a couple that I think are better than others? Well, no, I can't really do that. Some days I'm in the mood for Kylesa. On those days, The Twilight Sad will suck. Other days, the Twilight Sad suit me, and Kylesa will suck.
So, there's no real "best of" that would be honest.
All I can say is that there was some really good music. Lately, I've been gravitating towards Stoner/Doom bands, post-rock shoegaze bands, revival Techno, and dissonant New Wave/Post Punk bands. Lately, I've been gravitating away from reality TV, and traditional newspapers, and more towards epic dramas and online blog agregators.
But, that's me- how about you?

New-ish stuff

Please don't take the radio silence here for negativity. I've been monstrously busy, and will never catch up, so stuff like blogging and going online in general has taken a back seat to more immediate forms of stress relief- like watching TV, listening to music, reading, and playing video games.
So, as far as TV goes, I stick by my choices. I believe I've already stated them, but if not- I like Boardwalk Empire, The Walking Dead, and Burn Notice for my A-list shows. I'm OK with How I met Your Mother and Hawaii Five-Oh, but both are forgettable fluff the second the TV channel changes. I'm still a fan of TNA wrestling, but don't get a chance to watch very often due to two conflicts: my wife's vampire shows, and Burn Notice.
Musically, I've been listening to a LOT. I'm not going over all of it- no way, no time, not sufficient energy.
Here's just a few that are newish that come to mind:
Mankind is Obsolete- Fairly generic electro-metal Goth. However, two things- they don't mean to, but they come across as a more "rock", and more music-school version of Linkin Park, which is interesting given the female singer. Also, some of the drum patterns show real inventiveness, real talent.
Hypernova- musically, it's Franz Ferdinand crossed with Interpol, with an Iranian Mark Burgess singing. The back story is fascinating, probably more so than the music, but still, some songs are very,very catchy. I really like "Fairy Tales".
Hyperdump- Electro metal from a side project band, I think. Sometimes shows some death-metal-ish flourishes, sometimes veers into Nu metal territory. But over all pretty nice background for playing Halo...
Neurospecter- A very "rock" kind of DJ project of Retro Specter from Poland. Reminds me a bit of Jack Dangers and his awesome Meat Beat Manifesto, but less hyperkinetic, more robotic. Again, very nice for background music.
Have I mentioned The Bloody Beetroots? If not, I should. Forget Daft Punk and LCD soundsystem- these guys and Deadmau5 are making the dance electro pop I want to hear. You gotta hear their deconstruction on "New Noise", and "Domino" is great as a pop song, and, and- look, just give them a try!
Campaign- Fortunately, not all the good Pop punk is in the past. These guys continue the Hot water Music/Avail/Dillinger Four/Leatherface, etc, etc tradition of playing melodic music with more passion than blink 41 day could ever generate.
The Sleep Ins- ummm, I can't really defend this. It sounds like slacker college rock, of the type Pavement and Dinosaur perfected, but with some keyboards. Still, I like it.
Lungs for Gills- Sometimes dreamy-gentle pop is called for. This variation is pretty retro. I hear echoes of late 1980's 4AD and Creation records. So, I like it.
Speedy Rocky- On the other hand, sometimes you want butt rock. as in, late 1970's, early 1980's hard rock boogie. These guys could easily have opened for Fastway and UFO...
Inverness- I still am susceptible to exoticism. They're like a tropicalia version of the Cocteau Twins. Vocals are a weakness however, and I'd prefer an instrumental version. Still, very pleasant, dreamy music.
Other than that, I've been listening to what you'd expect of me- the new Killing Joke, the new You Am I, the new Kanye West, the new Robyn, the new-ish Torche, the new-ish Futureheads, the new Kylesa, etc etc....
Reading wise I really like Cowbell magazine. It seems fairly custom-made for me and my tastes. Also, the new William Gibson- Zero History. I'm a fan, what can I say?
I'm even more staid in video games- it's been nothing but Fallout, Oblivion, some Halo and some Destroy all Humans. Nothing new, really.
Feel caught up, yet?

oh, as long as I'm talking about TV

TNA wrestling is still the best of the major TV-deal wrestling. I think a firm argument can be made for Ring of Honor, and other Indy federations being better, but, between The McMahon's horrific WWE, and the merely cringe-worthy TNA, TNA wins.
I still watch TNA every once in awhile, and I even see a decent match or two. My belief in TNA pretty much evaporated when the Hogan/Bischoff thing occured, but they still deserve some respect for a few things:
1. They're doing an Anti-bullying campaign. Granted, I think bullying is an over-hyped distraction from real issues, but still far more enlightened than Wrestling ever needs to be.
2. They're doing a storyline about the very real dangers of concussions in contact sports. That's pretty brave, considering their past treatment of workers- they're actually making themselves the "bad guys", here. In the storyline, evil management (TNA) doesn't care about the health of the wrestlers, while one brave wrestler stands up for another wrestler who's injured. It's classic wrestling storytelling, but done very edgy, because the health of the workers has been a thorny issue for pro wrestling for a very long time.
3. Some of the on-air talent are the best in the business. My favorites are Alex Shelley, Chris Sabin, Daffney, Eric Young, Hamada, Kurt Angle, Mick Foley, Ken Anderson, Raven, Samoa Joe,Sarita, Tara, and team 3-D.
4. It's the last taste of real pro-wrestling we're likely to ever see. The WWE has decided (probably more profitably so) to go for more of a Saturday-morning live action cartoon for kids, and the rest of the world is opting for more realism, via mixed martial arts. The whole world of quasi-athletics from America's Vaudvillian sideshow past is going away, and TNA is showing the last vestiges. That's worth something to me.
5. They're really trying to keep the product priced income-appropriate. I appreciate that, and so should you!

TV Night!

I write about a lot of music, here, and neglect other stuff. I think that might be because I listen to at least 2 CD's per day, and read about a chapter of a book per day, and play an hour on a video game a day. I might watch an hour of TV, I might not. So, that means, in a given week, as far as pop culture goes, I'll have maybe 1 book, maybe 1 video game, maybe 3-4 TV shows, and 7-14 Cds to talk about. It's just the way I am. On top of that, not everything is worth talking about. However, Sunday night TV is worth talking about, now.
I might have mentioned before that I love Boardwalk Empire. If not, I'll just say it's by far the best TV show on, right now, and it's a better TV show than anything since first season Lost, and 2nd Season Rescue Me. That makes it the best thing on TV in the past 5 years. Some episodes are as good as any movie I've ever seen, so if things keep up, it might end up as the best TV show, ever (Currently, I think Patrick McGoohan's The Prisoner takes that honor). However, since last week, I'm a fan of the Walking Dead. The comic books were good, the first episode of the TV show was better. Yes, crucify me, now, geeks! I'm going to spell it out for you- watching real people act out imaginary scenes of people trying to retain their humanity in inhuman extraordinary situations trumps ink depictions of the same, any day of the week, and twice, this sunday. Make no mistake, that's what the show is about- how to hang on to things that make you a human being, no matter what. In these times, that's far, far more important than cool points, no matter who you are. So, yes, sundays are now TV night for me!

I agree with Mike Huckabee, once

Maybe it will only be once. I bet it will only be this once, but Mike Huckabee and I agree about Torche.
That a conservative preacher from Arkansas would truly like a gay-friendly stoner-pop band kinda defies logic, so I have a feeling it's not Huckabee, but if it is, I guess a stopped clock can be right, and hilariously so, twice a day....

Some new bands I've been checking out

Not really reviews, because I'm still really blown away by the new Killing Joke, and everything else is just "what else I'm listening to", but-

The Scaramanga Six. They're not really a new band, but I've only recently gotten around to them. They play a gothic, glammy kind of hard Alt rock. It sounds very influenced by the Damned and Rocket from the Crypt. Yes, that is an odd combination, but even Odder, the choruses tend to have a melodrama worthy of Muse. So, if you like really over-the-top glam rock, with a droning undercurrent, and plenty of cheesy B movie evil, they might be your cup of velvet.
The Eastern Wave Jake Brown is a former hardcore bass player. So, this strange combination of post-hardcore, shoegaze, and experimental electronic shouldn't sound so familiar. But it does, and it feels comfortable to me. Seems like a sludge metal band with a lot of the aggression tuned out, mixed with a particularly lo-fi dreampop band. Like, bits of The Rum Diary and Isis mixed with a heavy A R Kane.
Capsula I still love Spain, and I still dig trashy garage Rock, and Capsula are the latest iteration on that particular pattern. They've got a lot of punky drive, with some psychedelic aspirations, so I'm hearing a lot of 13th floor Elevators, which is often a good thing. When they get their drone going, they get sexy, though, which I haven't heard since Sonic Youth decided to get poppy mid-career.
The Medics But, I'm still a Dutchman. They're goofy, and derivative (Franz Ferdinand, Hot Hot Heat and The Strokes) but some of the remixes are fun in a lo fi, glitchy kind of way....

Good Bye Ari

So, I just read that Ari Up died. Strangely mixed feelings on that. On the one hand, I sad that someone around my age died so young, and I feel bad for her family, and for any suffering she may have endured. On the other hand, I never really cared for her music, and I think some of her persona and Art was a tad bit wrong-headed. Oh, it's a fine line between appreciation and appropriation, so I wouldn't exactly level charges at her- but there's something about her use of Caribbean music that seemed a bit...colonial. Yes, I completely understand how it might be that I've got a problem with white girls, but I don't think that's it, because I'm not similarly skeeved by loads of others- from Debbie Harry to Lady Sovereign. That would also be my defense if people bring up my love for the Clash- however an additional, and better defense is that the Clash never played rap, never played rockabilly, and never played dub, straight. Everything they did, they did fully aware that they were white, skinny little liberals- that's the whole point of several of their songs. Comparing White Man in Hammersmith Palais to Ari Up's last single- Lazy Slam speaks volumes, I think. Compare and decide for yourself. I might be full of it, I don't know, but I do prefer The Clash, any minute of any day.

Nostalgia and its discontents

Listening to the new Killing Joke got me thinking about some media from days gone by. Specifically, I was thinking about how I used to blast Requiem from Killing Joke's first album ( which I had on Vinyl, to date this) so loud that the synth-heartbeat pulse would literally cause the walls to vibrate. That got me thinking about other bands I would blast on my stereo, and movies I would dig up at the video store ( to this day, I think I'm the only person who ever rented Forbidden Zone at the Hastings store. Strangely, there's now talk of a sequel....)
This is why I was re-listening to Big Black, and watched Natural Born Killers again.
Big Black, on the one hand, is the reward for nostalgia, like this. That strange three-dimensional guitar sound, and fast, oddly timed pounding beat still have the unsettling visceral kick that they did back in 1985. The lyrics are still as abrasive as ever ( I don't think anyone in their right mind could ever really get used to a song like Jordan, Minnesota ). However, with the added quarter century of experience, I can appreciate some of more subtle art- the funk references in some bass figures, the use of treble to imitate blades, the underlying moralism in doing songs about such antisocial topics (for those who don't know- no one, ever, had darker lyrical topics than Big Black. If you cannot deal, I wouldn't blame you) and the layering of minimal lines to maximal effect. Atomizer, for example, more than holds up- it actually sounds better to me now, than it did back then.
Natural Born Killers, on the other hand, falls apart under scrutiny after fifteen years. Certainly, some things hold up- Woody Harrelson still manages to exude menace, charisma and and goofy charm without any seeming effort, the sound track music is tasteful, and evocative, the desert southwest is beautiful beyond words, and so on. But the flaws mount up, quickly. The biggest flaw is in the sound. I warn you right now, if you like the movie, my next sentence may ruin it for you. The sync on the sound is slightly off, and it makes obvious that whoever they had recording the sound on location screwed up BIG TIME, because almost all dialogue and most sound is dropped in, re-recorded in studio. It's like an animated movie- you can actually hear the room's natural reverb on most of the voices. The next big flaw is how ham-fisted Oliver Stone's direction is. I'm not just talking about heavy-handed, didactic approach in shoving his political agenda at you- I mean his literal direction. The guy blocks scenes like it's an off Broadway production. People face the camera for no organic reason, and there's only interaction between the audience and the actors, not the supposed characters. In several scenes the kissing is so awkward based upon the blocking that you can see Juliette Lewis licking Woody Harrelson's cheek, while he is clearly sucking air.However, the performances themselves are pretty uneven. As I said before, Harrelson does a great job, but Juliette Lewis simply cannot sell the character, and her accent is awful. Robert Downey is simply high and doing a Saturday Night Live style riff on Robin Leach and Geraldo Rivera. I mean, it says something that Steven Wright gives one of the more believable performances! Finally, the plot is just soul-less. The characters learn nothing more than that killing isn't fun, forever- but in small doses- hey, it'll get you what you want. Stone, as per usual, is pushing his point (HEY, WATCHING TOO MUCH TV IS BAAAAAD) to the exclusion of anything resembling humanity. If you have to watch a movie about two young lovers who overcome the odds after becoming celebrities over a mass murder, watch Love and a .45. It even has the same "artistic" touches like the psychological backgrounds, and multiple film stocks- but done is a much more coherent and human way.